Beatboxing

Beatboxing (also beat boxing or b-boxing) is a form of vocal percussion primarily involving the art of mimicking drum beats using one's mouth, lips, tongue, and voice. It may also involve vocal imitation of turntablism, and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as "the fifth element" of hip-hop, although it is not limited to hip-hop music. The term "beatboxing" is sometimes used to refer to vocal percussion in general.

History

Prehistory

Techniques similar to beatboxing have been present in many American musical genres since the 19th century, such as early rural music, both black and white, religious songs, blues, ragtime, vaudeville, and hokum. Few examples are the Appalachian technique of eefing and the blues song Bye bye bird written and performed by the harmonica player Alex or Aleck Miller aka Sonny Boy Williamson II.

Additional influences may perhaps include forms of African traditional music, in which performers utilize their bodies (e.g., by clapping or stomping) as percussion instruments and produce sounds with their mouths by breathing loudly in and out, a technique used in beatboxing today.

Beatbox (disambiguation)

A beatbox is a person who performs beatboxing vocal percussion.

Beatbox or beat box may also refer to:

See also

Jīva (Jainism)

The Jīva or Atman (/ˈɑːtmən/; Sanskrit: आत्मन्) is a philosophical term used within Jainism to identify the soul. It is one's true self (hence generally translated into English as 'Self') beyond identification with the phenomenal reality of worldly existence. As per the Jain cosmology, jīva or soul is also the principle of sentience and is one of the tattvas or one of the fundamental substances forming part of the universe. According to The Theosophist, "some religionists hold that Atman (Spirit) and Paramatman (God) are one, while others assert that they are distinct ; but a Jain will say that Atman and Paramatman are one as well as distinct." In Jainism, spiritual disciplines, such as abstinence, aid in freeing the jīva "from the body by diminishing and finally extinguishing the functions of the body." Jain philosophy is essentially dualistic. It differentiates two substances, the self and the non-self.

Real Self

According to the Jain text, Samayasāra (The Nature of the Self):-

Life (KRS-One album)

Life is the eighth album released by KRS-One, and the eighth after abandoning the Boogie Down Productions name. The album is a collaboration with Tunnel Rats affiliates The Resistance, a little known production team, and Footsoldiers.

Track listing

Instrumental Credits

"I'm On The Mic"

"Life Interlude"

References

External links

Life (Sly and the Family Stone album)

Life is the third studio album by funk/soul band Sly and the Family Stone, released in September 1968 on Epic/CBS Records.

Music

Unlike its predecessor, Dance to the Music, Life was not a commercial success, although it has received mostly positive reviews from music critics over the years. Many of its songs, including "M'Lady", "Fun", "Love City", as well as the title track, became popular staples in the Family Stone's live show. A middle ground between the fiery A Whole New Thing and the more commercial Dance to the Music, Life features very little use of studio effects, and is instead more driven by frontman Sly Stone's compositions. Topics for the album's songs include the dating scene ("Dynamite!", "Chicken", "M'Lady"), groupies ("Jane is a Groupee"), and "plastic" (or "fake") people (the Beatlesque "Plastic Jim"). Of particular note is that the Family Stone's main themes of unity and integration are explored here in several songs ("Fun", "Harmony", "Life", and "Love City"). The next Family Stone LP, Stand!, would focus almost exclusively on these topics.